Interview

But he thinks players will be able to handle it.

Game director Corinne Busche talks about the next entry in the RPG franchise.

He stands behind the new app, which underwent months of testing, but acknowledges that Sonos should’ve warned its (very) passionate customers about missing features.

To understand Jane Schoenbrun and their new film, I Saw the TV Glow, you have to appreciate how Buffy the Vampire Slayer evolved in its second season.

Doctor Who showrunner Russell T. Davies says that bringing a bit more fantasy to the sci-fi show was key to making the new season feel fresh.

The director explains why you need to see his new film, Evil Does Not Exist, two or three times to understand the ending.

How Home Assistant plans to transition from an enthusiast platform to a mainstream consumer product.

Four nights of unique set lists and long jams presented a much different production challenge than U2’s 40-show residency.

To create the X-Men ‘97 score, Andy Grush and Taylor Stewart had to work through their nostalgia and create new sounds from the future.

Director Bertrand Bonello tells us how his new film confronts the past, present, and future

What free speech, war zones, and Aristotle have to do with internet infrastructure.

As Paul Sun-Hyung Lee sees it, truly loving a genre franchise means wanting to share it and pass it along to the next generation of fans.

Don’t worry, there’ll be plenty of ‘wonder and excitement’ to embrace as well.

An interview with Twin Peaks co-creator Mark Frost reveals a fateful conversation with Nintendo in 1990.

Avatar: The Last Airbender actor Dallas Liu opens up about turning to YouTube and co-star Paul Sun-Hyung Lee to figure out who the new Prince Zuko really is.

The editor of the popular tech newsletter talks about leaving Substack and where he’s seeing successful business models in media.

The Democratic senator from Hawaii on regulating social media: ‘An algorithm doesn’t have a First Amendment right.’

And he doesn’t want to control it. Maybe.

Monarch: Legacy of Monsters VFX supervisor Sean Konrad opens up about the challenges of creating new nightmares for Godzilla’s kaiju canon.

His replacement got the boot barely a year into the job. What brought Petersen back?

An interview with Epic Games CEO Tim Sweeney.

The director of Monster talks about the complexities (and simplicities) of portraying multiple points of view

Dream Scenario’s Nic Cage wants you to know that there’s a difference between maximalism and pushing the boundaries of filmmaking as an art.

Director Takashi Yamazaki opens up about taking the king of monsters back to its roots for a modern audience.

The co-founder of website builder Wix is embracing generative AI, and he’s not too worried that it might destroy the business models of the web.