The trial felt less like the fate of OpenAI and more like a window into petty grievances.
So says Valve designer Lawrence Yang in an interview with NerdNest. After the Steam Controller quickly sold out, Valve introduced a reservation system so people wait for their turn to buy. The launches of the Steam Machine and Steam Frame, whenever they happen, could be even more competitive — maybe a reservation system would ease a little bit of the chaos.
He may be laying it on thick, but he did get a big laugh.
He reminded the jury that Musk isn’t in the courtroom while Altman and Brockman are. (Musk posted yesterday that he was en route to Beijing on Air Force One.) “They are here because they care a lot about this,” Savitt said. “Mr. Musk isn’t here. Mr. Musk came to this court for exactly one witness — Elon Musk — and he hasn’t been seen since. Now he’s in parts unknown.”
“He claims to have heard things high atop a windy hill where no one else can hear,” Savitt told the jury. (Strange phrasing, but after the bridge metaphor from Molo, I wouldn’t expect anything less.) He also says Musk has “unclean hands” due to his “unconscionable conduct” related to the claims he’s bringing. “Only after OpenAI succeeded, against Musk’s prediction, only then did he start threatening litigation,” Savitt said.
He said that by his calculations, people said things like “I don’t remember” and “I don’t recall” between 150 and 200 times during this trial so far — using this to bolster his argument that Musk had waited too long to bring his claims.
You may remember that yesterday I was completely tickled by the possibility that the jury might get to see this. Even YGR seemed tickled by it. Unfortunately, she ruled that discussing it was fine but unless the Musk team gave them reason to introduce it, the jurors wouldn’t see so much as a photo. But this is the trophy Josh Achiam got for getting yelled at by Elon Musk.
Bobby Prince’s 1993 soundtrack for Doom is one of 25 recordings being inducted into the Library of Congress this year, a lineup that also includes Taylor Swift’s “1989” album and Beyoncé‘s “Single Ladies (Put a Ring On It).”
”Despite the limitations of the 1993-era sound card drivers, Prince composed the perfect riff-shredding accompaniment for the game’s demon-slaying journey to hell and back,” the Library of Congress says. Hell yeah.
As xAI aims to compete with rivals like Anthropic and OpenAI, which have focused heavily on AI-assisted coding, the company is launching a new agentic coding CLI tool for Grok. It’s available initially for subscribers to xAI’s SuperGrok Heavy plan.
[xAI]
