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	<title type="text">Interview | The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2026-05-01T19:23:22+00:00</updated>

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		<entry>
			
			<author>
				<name>Charles Pulliam-Moore</name>
			</author>
			
			<title type="html"><![CDATA[Christian content creators are outsourcing AI slop to gig workers on Fiverr]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/ai-artificial-intelligence/920881/ai-generated-bible-videos-christian-creators-fiverr-slop" />
			<id>https://www.theverge.com/?p=920881</id>
			<updated>2026-05-01T15:23:22-04:00</updated>
			<published>2026-05-01T09:25:25-04:00</published>
			<category scheme="https://www.theverge.com" term="AI" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="Streaming" /><category scheme="https://www.theverge.com" term="YouTube" />
							<summary type="html"><![CDATA[In the beginning, platforms like Fiverr were places where people could hire freelancers to do specialized creative labor using skills that took years to develop. In the age of generative AI, though, many of these gig workers have embraced the technology in order to meet clients' demands. These workers' profiles emphasize that they can quickly [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Image: Fiverr" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/05/ai-label-12.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="has-drop-cap has-text-align-none">In the beginning, platforms like <a href="https://www.theverge.com/news/779472/fiverr-lays-off-250-people-as-it-becomes-an-ai-first-company">Fiverr</a> were places where people could hire freelancers to do specialized creative labor using skills that took years to develop. In <a href="https://www.theverge.com/news/615252/fiverr-go-freelancer-ai-models">the age of generative AI</a>, though, many of these gig workers have embraced the technology in order to meet clients' demands. These workers' profiles emphasize that they can quickly (and cheaply) whip up images and videos of just about anything. But often, what their clients are looking for are dramatic animations inspired by the Christian Bible.</p>
<p class="has-text-align-none">On <a href="https://www.tiktok.com/@theaibibleofficial/video/7303297642803629354">TikTok</a>, <a href="https://www.youtube.com/watch?v=zzDZeNhmqeg">YouTube</a>, <a href="https://www.instagram.com/reel/DTgXgCGkmg-/?igsh=MWwzNTF0NjVocjAwMw==">Instagram</a>, and <a href="https://www.facebook.com/MindblownAiOfficial/videos/life-of-caincainandabel-genesis4-biblicalhistory-ai-storytelling-history-mindblo/960642436616207/">Facebook</a> it is very easy to stumble across AI-generated clips that retell stories from the Bible. Lik …</p>
<p><a href="https://www.theverge.com/ai-artificial-intelligence/920881/ai-generated-bible-videos-christian-creators-fiverr-slop">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[How Adam Scott became an accidental horror movie star]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/920921/adam-scott-interview-hokum-horror" />
			<id>https://www.theverge.com/?p=920921</id>
			<updated>2026-04-30T08:56:20-04:00</updated>
			<published>2026-04-30T10:30:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Adam Scott grew up watching horror movies at, as he describes it, "probably too young" an age. But he never set out to work specifically in the genre. Even still, horror seemed to follow him around from the very beginning. His first major film role was in Hellraiser IV in 1996. "It wasn't because I [&#8230;]]]></summary>
			
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<img alt="A still image from the film Hokum." data-caption="" data-portal-copyright="Image: Neon" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/04/Hokum_AdamScott_02.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="has-text-align-none">Adam Scott grew up watching horror movies at, as he describes it, "probably too young" an age. But he never set out to work specifically in the genre. Even still, horror seemed to follow him around from the very beginning. His first major film role was in <em>Hellraiser IV</em> in 1996. "It wasn't because I was a <em>Hellraiser</em> fan," he says. "It was because it was the job I got." Later, he took a starring role in <em>Krampus</em> not because it was horror, but because it evoked the kinds of '80s movies he grew up with, like <em>Poltergeist</em> and <em>E.T</em>. It may not have been intentional, but he's steadily built up a solid body of work in the genre, including leading <a href="https://www.theverge.com/2025/1/15/24340723/severance-season-2-computers-adam-scott-interview">the o …</a></p>
<p><a href="https://www.theverge.com/entertainment/920921/adam-scott-interview-hokum-horror">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Apple TV’s new horror series is scarier because it’s also hilarious]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/919634/widows-bay-apple-tv-cast-interview" />
			<id>https://www.theverge.com/?p=919634</id>
			<updated>2026-05-01T11:40:06-04:00</updated>
			<published>2026-04-28T13:00:13-04:00</published>
			<category scheme="https://www.theverge.com" term="Apple" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="Streaming" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="TV Shows" />
							<summary type="html"><![CDATA[Kate O'Flynn views comedy and horror as "kind of the same thing." Both are at their best when they surprise - a laugh or a scare that comes out of nowhere hits the hardest. That's why, for the star of the new horror-comedy hybrid Widow's Bay, mixing up the genres makes perfect sense - they [&#8230;]]]></summary>
			
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<img alt="A still photo from the Apple TV series Widow’s Bay." data-caption="Matthew Rhys and Stephen Root. | Image: Apple" data-portal-copyright="Image: Apple" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/04/Widows_Bay_Photo_010201.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Matthew Rhys and Stephen Root. | Image: Apple	</figcaption>
</figure>
<p class="has-drop-cap has-text-align-none">Kate O'Flynn views comedy and horror as "kind of the same thing." Both are at their best when they surprise - a laugh or a scare that comes out of nowhere hits the hardest. That's why, for the star of the new horror-comedy hybrid <em>Widow's Bay</em>, mixing up the genres makes perfect sense - they heighten each other. "You're never on steady ground," she says. "Your guard is down, and you're vulnerable to a laugh or a cry or a scream. It's all up for grabs."</p>
<p class="has-text-align-none"><em>Widow's Bay</em>, which starts streaming on Apple TV on April 29th, tells the story of the titular island, which sits off the coast of New England. It has a rustic small-town charm and also happens  …</p>
<p><a href="https://www.theverge.com/entertainment/919634/widows-bay-apple-tv-cast-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Robyn Kanner</name>
			</author>
			
			<title type="html"><![CDATA[Sho Miyake answers life’s greatest questions]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/918313/director-sho-miyake-interview" />
			<id>https://www.theverge.com/?p=918313</id>
			<updated>2026-04-24T13:23:59-04:00</updated>
			<published>2026-04-25T08:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Acclaimed Japanese director Sho Miyake has arrived in the States. He's brought with him two feature films: Small, Slow But Steady and Two Seasons, Two Strangers, a pair of naturalistic portraits that deal with the uneasy human desire to relate to other people. Seclusion and unease are bedrocks to Miyake's growing filmography. "I like these [&#8230;]]]></summary>
			
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<img alt="A still from Two Seasons, Two Strangers" data-caption="" data-portal-copyright="Several Futures" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/04/Sub2_Two-Seasons-Two-Strangers.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="has-drop-cap has-text-align-none">Acclaimed Japanese director Sho Miyake has arrived in the States. He's brought with him two feature films: <em>Small, Slow But Steady</em> and <em>Two Seasons, Two Strangers</em>, a pair of naturalistic portraits that deal with the uneasy human desire to relate to other people. Seclusion and unease are bedrocks to Miyake's growing filmography. "I like these characters that have a sense of discomfort that slowly starts to distance them from society," he tells <em>The Verge</em>.<br><br>I first saw<em> Small, Slow But Steady </em>at New Directors/New Films (lowkey one of the better film festivals New York has to offer). It's an affectionate story of a deaf boxer, Keiko (Yukino Kishii),  …</p>
<p><a href="https://www.theverge.com/entertainment/918313/director-sho-miyake-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Charles Pulliam-Moore</name>
			</author>
			
			<title type="html"><![CDATA[The Miniature Wife was an exercise in visual trickery]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/905862/the-miniature-wife-was-an-exercise-in-visual-trickery" />
			<id>https://www.theverge.com/?p=905862</id>
			<updated>2026-04-08T18:29:32-04:00</updated>
			<published>2026-04-08T11:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="Streaming" /><category scheme="https://www.theverge.com" term="TV Shows" />
							<summary type="html"><![CDATA[In Manuel Gonzales' 2013 short story "The Miniature Wife," a woman starts to become a different kind of person after her husband accidentally shrinks her down to the size of a coffee mug. Because of her new stature, the woman is more physically vulnerable, and it's difficult for her to effectively communicate with normal sized [&#8230;]]]></summary>
			
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<img alt="A woman in pink pajamas standing in a kitchen were a massive post-it with the sentence “don’t freak out” is pasted to the front of a refrigerator." data-caption="" data-portal-copyright="Image: Peacock" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/04/NUP_206795_00649.jpg?quality=90&#038;strip=all&#038;crop=33.074375915527,14.256578029547,66.925624084473,66.109017967281" />
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<p class="has-drop-cap has-text-align-none">In Manuel Gonzales' 2013 short story "The Miniature Wife," a woman starts to become a different kind of person after her husband accidentally shrinks her down to the size of a coffee mug. Because of her new stature, the woman is more physically vulnerable, and it's difficult for her to effectively communicate with normal sized people. But for all the danger that the woman's tininess puts her in, it also pushes her to tap into a strength that takes her husband by surprise.</p>
<p class="has-text-align-none">The marital dynamics are very similar in Peacock's new <em>The Miniature Wife </em>series adaptation starring Elizabeth Banks and Matthew Macfadyen. The show adds depth to both of  …</p>
<p><a href="https://www.theverge.com/entertainment/905862/the-miniature-wife-was-an-exercise-in-visual-trickery">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Tom Regan</name>
			</author>
			
			<title type="html"><![CDATA[Life is Strange: Reunion is a full-circle moment for its stars]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/897984/life-is-strange-reunion-cast-interview" />
			<id>https://www.theverge.com/?p=897984</id>
			<updated>2026-03-23T15:12:57-04:00</updated>
			<published>2026-03-24T12:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Gaming" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Fans thought they were done with the original Life is Strange duo of Max and Chloe. Following the first game and its 2017 prequel, players said their tearful goodbyes to these beloved characters - or so they thought. Following Max Caulfield's abrupt return in 2024's Double Exposure, this week sees the unlikely return of Chloe [&#8230;]]]></summary>
			
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<img alt="A screenshot from the video game Life is Strange: Reunion." data-caption="" data-portal-copyright="Image: Square Enix" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/03/ss_2802cb7dd327b136709742f164d8a82d31be68f5.1920x1080.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="has-drop-cap has-text-align-none">Fans thought they were done with <a href="https://www.theverge.com/2015/10/28/9627302/life-is-strange-season-wrap-up" data-type="link" data-id="https://www.theverge.com/2015/10/28/9627302/life-is-strange-season-wrap-up">the original <em>Life is Strange</em> duo of Max and Chloe</a>. Following the first game and its 2017 prequel, players said their tearful goodbyes to these beloved characters - or so they thought. Following <a href="https://www.theverge.com/24289524/life-is-strange-double-exposure-review-pc-ps5-xbox" data-type="link" data-id="https://www.theverge.com/24289524/life-is-strange-double-exposure-review-pc-ps5-xbox">Max Caulfield's abrupt return in 2024's <em>Double Exposure</em></a>, this week sees the unlikely return of Chloe in <em><a href="https://www.theverge.com/games/864438/life-is-strange-reunion-release-date-max-chloe" data-type="link" data-id="https://www.theverge.com/games/864438/life-is-strange-reunion-release-date-max-chloe">Life is Strange: Reunion</a></em>, an unexpected narrative retconning sequel that's been greeted with more raised eyebrows than rapturous fervor. It aims to bring the Max and Chloe story to an end for good - and it was just as much of a shock to the actors as it was to fans.</p>
<p class="has-text-align-none">"It was a massive surprise," says the voice of Chl …</p>
<p><a href="https://www.theverge.com/entertainment/897984/life-is-strange-reunion-cast-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Some writing advice from Project Hail Mary’s Andy Weir]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/898918/project-hail-mary-andy-weir-writing-advice-interview" />
			<id>https://www.theverge.com/?p=898918</id>
			<updated>2026-03-24T12:32:45-04:00</updated>
			<published>2026-03-23T12:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Andy Weir has done pretty well when it comes to adaptations. His first novel, The Martian, was turned into a movie in 2015, and the Ridley Scott-directed picture earned more than $600 million at the box office. And Project Hail Mary just had a huge opening weekend that puts it on track to be one [&#8230;]]]></summary>
			
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<img alt="A photo of author Andy Weir on the set of Project Hail Mary." data-caption="Andy Weir on the set of Project Hail Mary. | Image: Amazon MGM Studios" data-portal-copyright="Image: Amazon MGM Studios" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/03/PHM_03594_R_rgb.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Andy Weir on the set of Project Hail Mary. | Image: Amazon MGM Studios	</figcaption>
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<p class="has-text-align-none">Andy Weir has done pretty well when it comes to adaptations. His first novel, <em>The Martian</em>, <a href="https://www.theverge.com/2015/9/28/9408463/the-martian-movie-review-mars-ridley-scott-matt-damon">was turned into a movie in 2015</a>, and the Ridley Scott-directed picture earned more than $600 million at the box office. <a href="https://variety.com/2026/film/box-office/project-hail-mary-global-box-office-shatters-expectations-1236696281/">And <em>Project Hail Mary</em> just had a huge opening weekend</a> that puts it on track to be one of the year's biggest movies. However, despite that success, Weir tells me that he does his best to keep the idea of an adaptation out of his mind when he starts a new novel. "I try not to think about it at all," he explains.</p>
<p class="has-text-align-none">The reason, according to Weir, is that the two mediums are just so different. That's something he's learned over the last dec …</p>
<p><a href="https://www.theverge.com/entertainment/898918/project-hail-mary-andy-weir-writing-advice-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Charles Pulliam-Moore</name>
			</author>
			
			<title type="html"><![CDATA[The gen AI Kool-Aid tastes like eugenics]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/897923/ghost-in-the-machine-valerie-veatch-interview" />
			<id>https://www.theverge.com/?p=897923</id>
			<updated>2026-03-22T23:43:53-04:00</updated>
			<published>2026-03-21T10:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="AI" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="OpenAI" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="xAI" />
							<summary type="html"><![CDATA[Like many people, director Valerie Veatch was intrigued when OpenAI first released its Sora text-to-video generative AI model to the public in 2024. Though she didn't fully understand the technology, she was curious about what it could do, and she saw that other artists were building online communities to share their new AI creations. The [&#8230;]]]></summary>
			
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<img alt="An AI-generated image of a bunch of white men standing around and looking at a half-full pitcher of Kool-Aid placed on an elevated stage." data-caption="" data-portal-copyright="Image: Independent Lens" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/03/ai-label.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="has-drop-cap has-text-align-none">Like many people, director Valerie Veatch was intrigued when OpenAI first released its Sora text-to-video generative AI model to the public in 2024. Though she didn't fully understand the technology, she was curious about what it could do, and she saw that other artists were building online communities to share their new AI creations. The hope of connecting with people drew Veatch into the AI space, but once she was there, she was shocked to see how often the technology would generate images dripping with racism and sexism.</p>
<p class="has-text-align-none">Veatch was even more unsettled by the way her new AI-enthusiast peers did not seem to care that the machine they ralli …</p>
<p><a href="https://www.theverge.com/entertainment/897923/ghost-in-the-machine-valerie-veatch-interview">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Victoria Song</name>
			</author>
			
			<title type="html"><![CDATA[Lina Khan was right]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/report/896820/lina-khan-ftc-meta-supernatural-antitrust" />
			<id>https://www.theverge.com/?p=896820</id>
			<updated>2026-04-12T12:07:43-04:00</updated>
			<published>2026-03-19T11:12:45-04:00</published>
			<category scheme="https://www.theverge.com" term="Antitrust" /><category scheme="https://www.theverge.com" term="Gaming" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Meta" /><category scheme="https://www.theverge.com" term="Policy" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="Virtual Reality" />
							<summary type="html"><![CDATA[In 2021, the virtual world was the future of the internet. The pandemic had sequestered everyone indoors, heightening the appeal of digital communities. Facebook rebranded to Meta - a sign of the tech giant's investment in and commitment to the metaverse as the future of the internet. Despite losing billions in VR, Meta released an [&#8230;]]]></summary>
			
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<img alt="Former FTC Chair Lina Khan with animated sunglasses falling onto her face." data-caption="Hindsight is 20/20. | Image: The Verge / Getty Images" data-portal-copyright="Image: The Verge / Getty Images" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/03/linakhanglasses_opt2.gif?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	Hindsight is 20/20. | Image: The Verge / Getty Images	</figcaption>
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<p class="has-drop-cap has-text-align-none">In 2021, the virtual world was the future of the internet. The pandemic had sequestered everyone indoors, heightening the appeal of digital communities. Facebook rebranded to Meta - a sign of the tech giant's investment in and <a href="https://www.theverge.com/22749919/mark-zuckerberg-facebook-meta-company-rebrand">commitment to the metaverse</a> as the future of the internet. Despite <a href="https://www.cnbc.com/2023/02/01/meta-lost-13point7-billion-on-reality-labs-in-2022-after-metaverse-pivot.html">losing billions</a> in VR, Meta released an <a href="https://www.theverge.com/2021/8/24/22639523/oculus-quest-2-pause-sale-recall-base-model-storage">upgraded version of the Quest 2</a> headset and began focusing on launching a higher-end <a href="https://www.theverge.com/23451629/meta-quest-pro-vr-headset-horizon-review">Quest Pro</a>. At the end of the year, it announced its plan to plunk down <a href="https://www.roadtovr.com/meta-supernatural-within-acquisition-price-ftc-scrutiny-report/#:~:text=According%20to%20a%20report%20from,court%2C%20causing%20additional%20delays.%E2%80%9D">a rumored $400 million</a> to buy the independent VR gaming studio Within, maker of a popular fitness game called <em>Supernatural</em>. Less than five years later, however …</p>
<p><a href="https://www.theverge.com/report/896820/lina-khan-ftc-meta-supernatural-antitrust">Read the full story at The Verge.</a></p>
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			<author>
				<name>Andrew Webster</name>
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			<title type="html"><![CDATA[Why Project Hail Mary’s creators were ‘scared’ about making the sci-fi adaptation]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/895508/project-hail-mary-interview-andy-weir-drew-goddard" />
			<id>https://www.theverge.com/?p=895508</id>
			<updated>2026-03-17T14:50:52-04:00</updated>
			<published>2026-03-17T10:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Project Hail Mary is a natural follow-up to The Martian. Both movies are based on sci-fi novels by Andy Weir, and both have bankable stars in the lead role (Matt Damon for The Martian, Ryan Gosling for Project Hail Mary) and accomplished directors at the helm (Ridley Scott for the former, Phil Lord and Christopher [&#8230;]]]></summary>
			
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<img alt="A still image from the film Project Hail Mary." data-caption="" data-portal-copyright="Image: Amazon MGM Studios" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/03/PHM_48854_R_rgb.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="has-text-align-none"><a href="https://www.theverge.com/entertainment/891979/project-hail-mary-review-ryan-gosling"><em>Project Hail Mary</em></a> is a natural follow-up to <a href="https://www.theverge.com/2015/9/28/9408463/the-martian-movie-review-mars-ridley-scott-matt-damon"><em>The Martian</em></a>. Both movies are based on sci-fi novels by Andy Weir, and both have bankable stars in the lead role (Matt Damon for <em>The Martian</em>, Ryan Gosling for <em>Project Hail Mary</em>) and accomplished directors at the helm (Ridley Scott for the former, Phil Lord and Christopher Miller for the latter). Even still, Drew Goddard, the screenwriter on both movies, went into <em>Project Hail Mary</em> with a lot of trepidation.</p>
<p class="has-text-align-none">"My first thought was, 'Oh god, I don't know how we're going to make this into a movie.' I was so scared," he tells <em>The Verge</em>. "I didn't want to let Andy down. But I realized how challenging it  …</p>
<p><a href="https://www.theverge.com/entertainment/895508/project-hail-mary-interview-andy-weir-drew-goddard">Read the full story at The Verge.</a></p>
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